WHAT IS A CONSERVATION ROOFLIGHT?
You have been told that you need conservation rooflights for your project, you searched online and there seems plenty of choice, but what is a conservation rooflight and are they all the same??
To better understand what makes a rooflight a conservation style, it is important to understand the history behind this type of glazing and why the design is so sought after, not just on period properties but also more modern projects.
Without the ingenious concept of a rooflight the vision of transforming unconventional space into a well-lit property would be a daunting task, and in some cases an impossible option. For that reason, the conservation rooflight could be considered a highly influential building feature, which has given the construction industry a solution to introducing natural light into a property.
Although rooflights, or skylights as they are sometimes known as, have been around for centuries they become more prominent during the Victorian era as technology and building aspirations were stretched and roof glazing boomed. One of the most famous Victorian building projects was the Crystal Palace, which is 1851 used glazing on an unprecedented scale to showcase just what could be achieved.
Mass-produced Victorian rooflights for residential use tended to be made from cast iron and the earliest examples would have smaller, lighter panes of glass. This was partially down to limits of glass technology at the time but also because of excise duties, which were imposed on glass by weight in the mid-18th century.
These slim, single glazed rooflights with multiple panels of glass were unobtrusive in design and sat flush in the roof. Today it is this minimalist appearance that many people are seeking to achieve in their glazing designs.
As a result of their popularity, there are lots of conservation roof windows on the market which can make choosing the right one virtually impossible unless one can identify what the differentiations are. An effective way to make this distinction is to reveal the attributes of true replica of a Victorian conservation rooflight.
WHAT MATERIAL IS THE CONSERVATION ROOFLIGHT MANUFACTURED FROM?
If a conservation rooflight is all frame then there is little point in having one. Genuine conservation designs should be manufactured with slim clean lines and a low-profile to match the roofline.
A number of skylight companies try to produce conservation rooflights using modern bulky aluminium profiles which sit proud of the roofline, particularly slate.
It is widely accepted that most authentic conservation rooflights are manufactured from steel because it provides great strength whilst offering a slim profile and excellent glass to frame ratios.
There are many types of steel conservation rooflights and for unrivalled protection and lifespan, all Stella rooflights are manufactured from arine grade 316 stainless.
Internally Stella rooflights are finished with real wood linings. American ash is the most popular choice but we can produce these from any timber you require. The use of real wood gives a neat, warm appearance to the internal element of your conservation rooflight. Nowadays most rooflight suppliers tend to use cheaper soft wood or plastic which is painted white as an internal finish and these liners can result in deeper frame profiles or reduced viewable areas. Whilst a white internal can be sold as ‘clean’ or ‘neat’, these can sometimes feel a little soulless and is a finish more often associated with modern flat rooflights than traditional conservation products.
SINGLE OR DOUBLE GLAZED?
Victorian rooflights would have been single glazed for the reasons stated above. Today modern building standards are much higher and so single glazing does not meet the minimum requirements for thermal efficiency (Part L).
Double glazing is now the most popular option for genuine conservation rooflights because glazing technology is such that a modern double glazed unit can provide a number of benefits whilst remaining reasonably slender.
The units used in a Stella conservation rooflight offer both self-clean and solar control elements whilst also providing excellent thermal efficiency with an inner pane of Planitherm One.
Using warm edge spacer technology and argon gas our units are also silicone edge sealed which gives them greater protection against UV light.
Some conservation rooflight suppliers are keen to boast about offering triple glazing in their products but whilst this does offer a slightly improved thermal performance it comes at the expense of appearance.
The optimal spacer bar thickness is 16mm so any decent triple glazed unit is going to be almost 50% thicker than a double glazed version.
Now with a flush fitting profile being one of the main requirements of a conservation rooflight, the introduction of triple glazing makes that almost impossible on some roof types.
It is often a stipulation from the Conservation Officer that a conservation rooflight should have a glazing bar to replicate that original Victorian appearance. It is not always the case but it is definitely worth checking whether you need them before purchasing any conservation rooflight.
If your conservation does require a glazing bar then it should be a genuine one.
This is an area that separates those producing close replicas to the original Victorian rooflights and those who are trying to pass of modern skylights as something more traditional.
A genuine glazing bar should be something which not only divides the glazing but also provides additional strength to the casement.
So many conservation rooflights have something simply stuck or glued onto the outside of the glass which neither looks good nor provides any benefit to the rooflight.
In addition, these stuck on bars (usually plastic) often attract dirt and mould and the lifespan of anything which is simply held on by tape or glue is unlikely to compare with a genuine steel glazing bar. A stuck on glazing bar is one step up from a felt pen but certainly should not be seen as a way to make a modern bulky framed profile meet the criteria of a conservation rooflight.
TOP HUNG OR CENTRE PIVOT?
Once again, if you are looking for a close replica of a Victorian rooflight then a top hung profile will be the one you should opt for.
Not only does a top hung design offer a more authentic appearance, it maximises the space below because the casement doesn’t stick into the room.
Smaller top hung rooflights also utilise beautiful brass ironmongery to operate the casement whereas centre pivot designs tend to rely on modern plastic handles which are out of reach and offer nothing to enhance the internal aesthetics.
IS ANY OLD CONSERVATION ROOFLIGHT SUITABLE FOR MY PROJECT?
Just because something is sold as a conservation rooflight, that doesn’t automatically make it suitable for all building types.
If your building is Listed or in a conservation area then the criteria for using conservation rooflights are much stricter and you should always gain approval, not only for their use but also the manufacturer that you would want to use.
There are only a handful of companies that specifically make conservation rooflights and even fewer who design, manufacture and assemble in the UK.
Many conservation rooflights available online are simply other products which have been spruced up to look like they meet the requirements of that type of product. If you ask a supplier what the main difference is between their conservation rooflight and those used on modern buildings and the answer is a stuck on glazing bar, then you should avoid at all costs.
Likewise, there are many elements which go into a genuine conservation design and price is always a reflection on quality.
IS THERE ANYTHING ELSE I SHOULD CONSIDER WHEN CHOOSING MY CONSERVATION ROOFLIGHT?
With the UK Government pursuing a carbon neutral environment it is imperative that every action is taken to reduce energy consumption. Rooflights are energy efficient as they let in large amounts of natural light thus reducing the need for artificial lighting. Bringing natural daylight into your home is about much more than creating a bright, welcoming environment, it’s about protecting your health and wellbeing and achieving a more positive way of life.
One way to ensure that you maximise the amount of available light is to increase the size of your rooflights; or is it?
Just because you have a large rooflight this does not always guarantee lots of light and you should always check what the finished viewable (often referred to as clear viewable) area of the rooflight will be.
You might think that a conservation rooflight with a whole frame size of 900mm (w) x 1200mm (h) would have a similar clear viewable area regardless of the manufacturer, but you would be wrong and bulky framed modern types or the flat rooflights posing as pitched conservation styles will let in considerably less light than a genuine steel framed version.
With so many choices available, choosing the right conservation rooflight can be a bit of a minefield but with the right guidance and advice it need not be a stressful experience.
At Stella we focus on each element of our conservation rooflight and our attention to detail is second to none, providing a realistic yardstick to measure the performance of other conservation rooflight designs.
Our aim has always been to provide the best looking and best performing conservation rooflight on the market.
Whether you are building from the ground up, renovating an existing environment or extending to create more room, we know that quality is important to you and getting it wrong is just not an option.
We go further than anyone else to ensure only the finest quality materials are in the manufacture of all our rooflights. We are the only rooflight manufacturer to use Marine Grade 316 stainless steel, offer a Marine Grade paint coating (C5 application) and provide a real wood internal finish on all our rooflights.
No other company provides such a high specification for conservation rooflights.